Mostrando entradas con la etiqueta John Zorn. Mostrar todas las entradas
Mostrando entradas con la etiqueta John Zorn. Mostrar todas las entradas

miércoles, noviembre 05, 2008

John Zorn - Filmworks XX & XXI [2008]


John Zorn (born 2 September 1953 in New York City) is an American composer and saxophonist/multi-instrumentalist. He owns the Tzadik record label and has worked with a large number of experimental musicians, particularly in improvised music, incorporating modern classical music, jazz and even death metal and grindcore as well as having produced music to include most styles.

As a child, he played piano, guitar and flute. He went to college in St. Louis, Missouri at Webster College (now Webster University) where he discovered free jazz, before dropping out and moving to Manhattan. There he gave concerts in his small apartment, playing a variety of reeds, duck calls, tapes, etc; almost anything (sometimes he played “musical optics” which involved no instruments or sounds at all, but rather the arrangement of lights and objects in a dark room). In the mid 1980s he signed to the Elektra-Nonesuch label. Since then, Zorn has been quite prolific, usually putting out several new records each year. His breakthrough recording was perhaps 1985’s The Big Gundown: John Zorn Plays the Music of Ennio Morricone, wherein Zorn offered a number of often radical arrangements of Morricone’s famed songs from various movies. The Big Gundown was endorsed by Morricone, and incorporated elements of traditional Japanese music, soul jazz, and other diverse musical genres.

www.lastfm.es/music/John+Zorn




John Zorn + Fred Frith@Gulbenkian Anfiteatro 3/8/2008 part 1/2

martes, mayo 27, 2008

John Zorn

La síntesis directa de nebulosas con fragmentos de nuevo jazz, el viaje al centro de la tierra es el desdoblamiento; razón: el núcleo, en el fondo, es inmóvil, la tierra no se mueve sobre un eje imaginario que la cruza de lado a lado, el movimiento lo llevan las aguas oceánicas, que por canales subterráneos también mueven a su antojo los continentes. El sentido de todo esto es absurdo, pero de tal manera Zorn maneja los sonidos fluidos como el movimiento líquido, aparentemente, el nuevo agregado se confunde en la experimentación, llega a tal fuerza, que detona en los tímpanos y se ramifican primitivas sensaciones de bienestar, la salud en sus composiciones dramáticas, abstractas, vulgares, parafernalias, etc.
Destaco a la gente del blog Experimental Etc, por dar a luz este post, todo lo que eso significa, el gran trabajo de subir tantos link, haber si ustedes dicen algo!, haber si escriben un comentario!, ya que sabido es, que son flojos para dar las gracias, solo les gusta criticar sin despojos.



wiki
myspace
last.fm

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•Naked City
•Naked City - Torture Gardem
•Six Litanies For Heliogabalus
•John Zorn - From Silence To Sorcery
•Painkiller Execution Ground (1994)
pt 1 • pt 2
•Buried Secrets (1992)
Masada
•Masada, Vol. 1: Alef
•Masada, Vol. 2: Beit
•Masada Vol. 3: Gimel
•Masada Vol. 4: Dalet
•Masada Vol. 5: Hei
•Masada Vol. 6: Vav
•Masada Vol. 7: Zayin
•Masada Vol. 8: Het
•Masada Vol. 9: Tet
•Masada Vol. 10: Yod
•Painkiller Live in Osaka (1995)
pt1 • pt2
•Painkiller - Guts of a Virgin (1991)
•Spy Vs. Spy: The Music Of Ornette Coleman (1989)
•Filmworks XIX-The Rain Horse
•Godard Spillane
•Magick
•Rituals
•Mysterium
•The Dreamers
•Masada Book Two - The Book of Angels Moloch: Book of Angels, Vol. 6 (Uri Caine)
PT1 • PT2
•Asmodeus: Book of Angels, Vol. 7 (Marc Ribot)
John Zorn's Film Works
•Film Works Vol.1
•Film Works Vol.2
•Film Works Vol.3
•Film Works Vol.4 Part 1n • Part 2
•Film Works Vol. 5
•Film Works Vol. 6
•Film Works Vol. 7
•Film Works Vol. 8
•Film WOrks Vol. 9
•Film Works Vol. 10



John Zorn / Electric Masada - Karaim (part 1)