viernes, febrero 29, 2008

Electrodomesticos + El Resplandor / Carlos Cabezas


Chilean band of the old school, his ultramodern offer in ' 80s, difficult receptive digestion, but extremely valued with posteriority, new materials.
Domestic appliances I saturate of sharp sheens in the musical mentioned environment, inside the sound box that appeases the guitar, he found in the way the surrounding sonorities, working from the keyboards, it is the most precise way of speaking with the experimentation.
The discs that I am sharing with you are full of suggestive ideas, you sink because of the feeling, the human condition of meat that disarms the social knots, conintesidades exploiting energy, and moribund collapses of freedom in the calm room speaker, mechanical solution does not exist, while they join grain after grain the new melody derock to be left to go.

Banda chilena de la vieja escuela, su propuesta vanguardista en los '80s, difícil digestión receptiva, pero sumamente valorada con posterioridad, nuevos materiales.
Electrodomésticos saturo de brillos agudos en el ambiente musical mencionado, dentro la caja de resonancia que aplaca la guitarra, encontró en el camino las sonoridades envolventes, trabajando desde los teclados, es la forma más precisa de hablar con la experimentación.
Los discos que estoy compartiendo con ustedes están llenos de ideas sugestivas, naufragas a causa del sentimiento, la humana condición de carne que desarma los nudos sociales, con intesidades eruptando energía, y moribundos colapsos de libertad en la tranquila habitación parlante, no existe solución mecánica, mientras juntan grano tras grano la nueva melodía de rock para dejarse llevar.



miércoles, febrero 20, 2008

Eivind Aarset


To manage to represent multiple possibilities in a methodical and secret work, to involve in the senses the only persepcion towards out-standing passages that offer of harmony a landscape unison adding sparkles, the perpetual game of the real light, trying to be royal real, molding the reality. Probably?

Lleguar a representar multiples posibilidades en un trabajo metódico y minusioso, involucrar en los sentidos una persepcion unica hacia destacados pasajes que brindan de armonia un paisaje unísono sumando destellos, el juego perpetuo de la luz real, tratando de ser real, moldeando la realidad. Quizas?

Fuente : Cinemática Bizarra.



Électronique noire [1998] (Part.1) (Part.2)


Eivind Aarset - Live in BuggesRoom 25 nov 2005

Blues Control


Tremendous exhibition of natural sound, radiating his structure of the edge, eclipsed and primitive, Blues Control investigates with his instruments the basic contemplation of the black blues, in a condition of ecstasy, pleasure of drugs, external for my. Adhered to the saturated, spoilt speakers and convulsing of psychodelic frequencies, to change in this picture.
There is alone the complicated thing to climb on one without end of well-established information of symbols, which arranges his direction in the thought, loss of eyes closed in the cosmos under totality, a key conceals and the force of experimenting for all who listen to it, do not forget to comment.

Tremenda exposicion de sonido natural, irradiando su estructura del borde, eclipsada y primitiva, Blues Control investiga con sus instrumentos la primordial contemplación del negro blues, en un estado de extasis, placer de drogas, externo para mi. Adherido a los parlantes saturados, estropeados y convulsionando de frecuencias sicodelicas, para variar en este cuadro.
Es solo lo complicado de escalar sobre un sin fin de información implantada de simbolos, que ordena su direccion en el pensamiento, quebranto de ojos cerrados en el cosmos bajo totalidad, una llave oculta y la fuerza de experimentar para todos quienes lo escuchen, no se olviden de comentar.

MySpace.com - BLUES CONTROL.







blues control live at big jar books pt 1/5

domingo, febrero 17, 2008

Dead Meadow


It supports the energy at the edge of the psychodelic dementia of classic bands as the Sabbath, riff intense sharing matter with a melodic voice. To my taste you have to light a cigarette and raise the volume to your sound system, play with equalizer well the low ones.

Mantiene la energía al borde de la demencia sicodélica de bandas clásicas como los Sabbath, riff intensos compartiendo materia con una voz melódica. A mi gusto tienes que prender un cigarrillo y subirle el volumen a tu equipo de sonido, ecualiza bien los bajos.

Deadmeadow.com.

MySpace.com - Dead Meadow.




Dead Meadow- What Needs Must Be

sábado, febrero 16, 2008

I s i s


The band is transported across the nervous stimulations startled in a guitar of chords and armonic fluid, the base of fund the brand the permanent deliberation among the primitive(original) instruments fused with the blow of the Metal, bass & battery supporting the explosion of senses that they cross on having appeared like I s i s.

La banda se transporta atraves de las estimulaciones nerviosas sobresaltadas en una guitarra de acordes y armonias fluidas, la escencia de fondo la marca la deliberacion permanente entre los instrumentos primitivos fundidos con la duresa del Metal, bajo, bateria apoyando la explosion de sentidos que recorren al presentarse como I s i s.

Fuente : Blood Is Truth, and Damn Those Blood Suckers And Their Good Qualities.



ISIS - "Live1"


ISIS - "Live At Groningen"


ISIS - "Oceanic Remixes/Reinterpretations" (Disc. 1) (Disc. 2)






Isis - Grinning Mouths

domingo, febrero 03, 2008

Jewelled Antler Library


"Jewelled Antler is a loose affiliation of musical artists centred around the releases made or affiliated with two people, Glenn Donaldson and Loren Chasse of the Bay Area, San Francisco, USA. The artists combine an interest in recording spontaneously in natural settings that helps bring about an inherent connection between the music and the surroundings. Their musical inspirations are varied and range beyond folk music to music from India, experimental punk, 60s pop and much more.
In style the music moves in a range between folk acoustic and processed field recordings/collected sounds. Although it is perhaps over simplistic to say so, Glenn seems to bring the more folky element to the music with Loren bringing an interest in exploration and capture of natural sounds. The artists that are directly associated with the Jewelled Antler name have often evolved spontaneously around Glenn and Loren as they travel, meeting friends and fellow musicians.
Music is often recorded live, out doors and direct to tape using instruments that can be carried or powered by batteries, from stringed instruments, mobile keyboards to hand percussion. The structure will often appear improvisational although there is a song writing craft at its heart. Afterwards the music will be processed, edited, overlaid and interwoven with found sounds, fragments of speech, weather, gongs, digital noise, glitches and the like into a cohesive tapestry.
This combination brings together a new sound palette that is unpredictable, evolving and in its simplicity and directness, seems to continue and revitalise the original folk tradition. Acoustic music is often processed to be sound part of the tapestry alongside the other elements. Field recordings are an important element alongside new sounds gained by rubbing and manipulating such as leaves, stones and other natural components.
Although tagged ‘The Jewelled Antler Collective’ this is merely a useful name for artists working in a similar field who are connected with or sympathetic to the intentions which sit behind the music. At it’s heart it derives from the music of Glenn and Loren but extends through their musical friends in such countries as Finland and New Zealand working in similar areas." source

Fuente : Cagedream



Kemialliset Ystävät - Shreds